News Louis Vuitton, Chanel Close #PFW with Clothes People Would Actually Wear Eric Wilson is InStyle's fashion news director. Follow him on Instagram and Twitter. By InStyle Editors InStyle Editors Instagram Twitter InStyle's mantra is "Everybody's in," and that means anyone who finds their way to our stories should find themselves reflected in them. We prioritize bringing the right writer to every story and sometimes collaborate as a team to ensure we're including points of view across race, gender expression, body size, skin and hair type, and more. Our editors and writers comprise decades of expertise across the beauty, fashion, lifestyle and wellness spaces in print and digital. We prioritize journalistic integrity, factual accuracy, and also having fun with every story we share. For more about our team, click here. InStyle's editorial guidelines Updated on March 9, 2016 Pin Share Tweet Email Photo: Dominique Charriau/WireImage (3) On Wednesday, the final day of a month-long tour of the fall collections from New York to London to Milan, and finally to Paris, Louis Vuitton artistic director Nicolas Ghesquière drew editors to another enormous production on the grounds of the Fondation Louis Vuitton. Under a heavy downpour, the traffic was backed up for miles, but once guests arrived, including recent Oscar winner Alicia Vikander, Jennifer Connelly, Lea Seydoux, Selena Gomez, Jaden Smith, Zendaya, Doona Bae, and Sophie Turner, they discovered a set decorated with large, crumbling columns covered in small panels of shattered glass – like so many busted iPhone screens. The impression was one of an archeological site, although the designer had in mind a dig into the present day as discovered by explorers of the future. Hedi Slimane's '80s Nod to Saint Laurent Is Simply Irresistible That is an interesting thought indeed. What will future fashion historians make of this moment, of a selfie-driven culture that drives designers to make ever more exotic clothes? Ghesquière’s response, in fact, was surprisingly focused on images taken from contemporary life, with sports-inspired sweaters and trim trousers, soft bags in a variety of shapes and prints, dresses made of patchwork fabrics that appeared to be stapled together at the seams, and leather jackets affixed with patches like those of a globetrotter’s suitcase (pictured, top). In effect, it was a collection of memorabilia, both ordinary and incredibly personal. While it was not the forward-looking work that Ghesquière has made a hallmark of his two-plus years at Vuitton, it was more approachable by far, and this collection read like the pages of a diary. In fact, while the talk of Paris Fashion Week has been the shape-defying collection that Demna Gvasalia introduced at Balenciaga, there has also been an undercurrent of designs that seem equally driven by comfort and versatility. VIDEO: Watch Our 1-Minute Review of Chanel's #PFW Show Karl Lagerfeld described his fall Chanel collection as “all about ease,” and this was obvious from the treatment of tweeds almost as knits. On a stage designed to mirror the inside of a couture salon, with an infinity runway that snaked between rows and rows of seats (every guest had a front row ticket for once), he brought the clothes to the people, in a sense, and many of us remarked that we could have sat there all day watching more. Added to the tweeds were lots of sportswear, like denim vests, skirts, and tops no more complicated than a T-shirt, but a lot more haute. If I were a Chanel customer, I’d have bought a sweater dress covered with grommets in a heartbeat. Looking for something more formal? There were plenty of tiered lace gowns for you, all piled with pearls (below). Catwalking/Getty Images (2); Dominique Charriau/WireImage I’ve often wondered how the Valentino designers Maria Grazia Chiuri and Pierpaolo Piccioli would handle streetwear, and was rewarded this season to also find delicious knits here in a collection that served almost as a palate cleanser from the extraordinarily decorative designs they are known for on the red carpet. Though much of the show included ballerina-inspired gowns that were as ethereal and slightly austere as ever, there were also a lot of great coats and handbags, one of which featured a thick denim strap (below). Pascal Le Segretain/Getty Images (2) Designers Make the Case for Some of #PFW's More Difficult-to-Wear Items A stranger trend to come roaring across the runways this season was the full prairie or baby-doll dress. Stella McCartney included some, I suspect as a joke, that looked like Snuggies or grandma’s house robe (below, left). Of course, they will probably be just as much of a hot item come fall. And these looks appeared midway into the Kenzo show on Tuesday night with dresses that looked like fancier versions of those old-fashioned prairie pastels worn by members of polygamist cults in Texas, or Kimmy Schmidt. The designers Humberto Leon and Carol Lim, however, were careful to show their strengths – the skirts of their dresses were finely pleated, and the cuts oversize to look somehow both a little bit off, and a little bit cool (below, right). Antonio de Moraes Barros Filho/WireImage; Catwalking/Getty Images Was this page helpful? Thanks for your feedback! Tell us why! Other Submit