Nashville Ends on a High Note! Get the Scoop on the Looks from the Finale
How do you finish off a dramatic season of Nashville? With more drama, of course!
Still struggling with regret after her affair with Jeff Fordham (Oliver Hudson), Juliette (Hayden Panettiere) kicked off the episode with a drunken escapade at Deacon’s (Charles Esten) benefit for an alcohol recovery center. For the scene, costume designer Susie DeSanto dressed her in a peplum Peter Pilotto top, AG jeans, and high-heel booties. "The peplum is so beautifully done. It was almost like a tutu, and it’s really flattering for Hayden," DeSanto tells us. "We just tried to make her look as cute as we possibly could."
While her outfit was adorable, she thankfully never made into the event. "She was trying to be proper, and then she shows up drunk," DeSanto says. "The idea that she’s trying so hard and then makes a mess of it is so Juliette."
Rayna (Connie Britton) followed her home, where she was able to give Juliette some guidance, and together they decided that in order to take the power away from Jeff Fordham she had to tell her boyfriend Avery (Jonathan Jackson) what happened and deliver a killer performance at Rayna’s album launch concert.
While the scenario with Avery slightly backfires, they’re able to foil Fordham, and the concert is the icing on the cake. For their performances DeSanto dressed them in coordinating white looks. "We wanted to do a wedding theme since Luke (Will Chase) was going to propose on stage," DeSanto explains. For Rayna she went with a glittering Jenny Packham gown. "I knew that the stadium was going to be lit in blues, so I wanted her to shine like a star." She kept Juliette in a similar palette choosing a Claire Pettibone gown, which they altered to fit her perfectly.
Rayna accepted Luke's marriage proposal, but with an offer from Deacon on the table too it's unclear who she'll end up choosing. (We're rooting for Deacon, just saying.) Unfortunately, we'll have to wait until season three premieres in the fall to find out!
Season 2, Episode 21: This Week's Red, White, and Blue Theme
On this week's episode, costume designer Susie DeSanto wanted to stick with a patriotic theme, as the characters put on a concert for the troops. "All the costumes were a nod to the Army," she explained. "It was a really fun [episode], and the energy was super high on the set. This [performance] had a special feeling to it."
Season 2, Episode 21: Current Elliot Jeans
For Juliette's (Hayden Panettiere) Army look, DeSanto looked to major country stars for inspiration. "Hadyen and I looked at photos of Carrie Underwood and Kellie Pickler performing for the troops to see what they wore," she says. The result was a literal nod to the Army. But no Juliette look would be without some sort of designer flare! Her army green waxed jeans are Current Elliott.
Season 2, Episode 21: Faliero Sarti Scarf
Rayna's look was the epitome of patriotic chic. "I loved the way we mixed the red, white, and blue with the Army stuff with Rayna," says DeSanto. For the look she used a beautiful American flag scarf by Faliero Sarti as the focal point of the ensemble, which consisted of a denim motorcyle jacket, and Rag & Bone skinny cargo pants and army boots.
Season 2, Episode 21: Giorgio Brato Leather Jacket
We spy another enviable leather jacket on Rayna! DeSanto chose this one by an Italian brand Giorgio Brato for her meet-and-greet with the troops' families. "I wanted her to look really warm and approachable when she was greeting the troops, but still like a big star" DeSanto says of the look.
Season 2, Episode 20: Barbara Bui Jacket and Rag & Bone Sweater
For the majority of the episode, DeSanto had Britton’s character Rayna in a "gorgeous military-inspired" Barbara Bui coat over a dark blue Rag amp Bone sweater with a pretty blue scarf, which reflected the episode's dark themes. "You'll notice that Connie, Hayden, and even the boys were in dark colors. When you’re doing something that dramatic I think you need to use dark amp#91;piecesamp#93; to tell the story," says DeSanto.
Season 2, Episode 19: Raquel Allegra Dress
Scarlett (Clare Bowen) confronted her mother through song, and chose a strong red dress for the occasion. "For the scene we chose a Raquel Allegra dress," says costume designer Susie DeSanto. "When she wrote the song with Liam she was wearing red, and it was the song that got to the heart of the matter, so we use that color whenever she sings that song."
Season 2, Episode 18: Mandalay Dress
For her performance on tour, Juliette (Hayden Panettiere) wore a sexy black dress by Mandalay. "It was this black long sleeve beaded illusion dress-they do the beaded dresses really well," DeSanto says. To finish off the look, she went with pewter boots by Christian Louboutin. "They have this silver pointy toe-they're so groovy!"
Season 2, Episode 17: Gucci Dress
For Highway 65's kick-off party, costume designer Susie DeSanto made sure that Rayna was the belle of the ball, dressing her in a polka dot chiffon Gucci halter dress. “We wanted to make sure she was the star of the party,” DeSanto tells us. “It was romantic and feminine-a dress for a star.”
Season 2, Episode 1: L'Agence Dress
“Everyone really likes Hayden in white, Connie wears a lot of dark colors and Hayden wears a lot of light. Juliette is a shining star on the rise, so I chose the white to sort of let her light shine. In terms of character it plays against her thing, her little rattlesnake personality,” said DeSanto of the L'Agence dress she chose for Juliette. “Also wanted when Juliette goes to the hospital, she’s going for a big dramatic moment, doing this concert and vigil but seeing Maddie (Lennon Stella) she kind of gets tripped up. So I wanted to make sure she popped out on screen and she felt like sort of the angel coming in.”
Season 2, Episode 1: Jean Paul Gaultier Blouse
“It was meant to be the late 90s, so when Maddie was conceived and she’s thirteen, so we looked at Faith Hill and when she was just turning into a star. I wanted Rayna to look period correct and also wanted to show someone who had a sweet spirit, but who was rebelling against her father by having a music career,” explains DeSanto. “We went with this vintage Jean Paul Gaultier blouse from Decades in LA, cowboy boots and turquoise jewelry. And that’s how Faith wore her hair!”
Season 2, Episode 17: Diane von Furstenberg Dress
Juliette (Hayden Panettiere) arrived at the Highway 65 party in a sexy leather and lace Diane von Furstenberg design. “Juliette was going out to make a statement and get noticed,” reveals DeSanto. “She wanted to draw attention to herself and work the party, so she went all out.”
Season 2, Episode 17: Free People Dress
It was a big night for Scarlett, too, and DeSanto made sure to keep her in a dress that really represented her as a character and an artist. "It's a modern dress, but it still appeals to her sensibility."
Season 2, Episode 17: Gucci Blouse
DeSanto kept Rayna's look casual yet stylish for her Grand Ole Opry performance. "The Opry is supposed to be a home where country stars go and perform, so they don’t really dress up," she says. However, she still wanted Rayna's look to be special, which is why she chose a shimmery bronze Gucci top to go with her Frame denim jeans.
Season 2, Episode 17: G-Lish Top
Following the same laid-back logic for Juliette, DeSanto paired J Brand jeans with an embellished t-shirt from clothing brand G-Lish. But it wouldn't be a Juliette outfit without some designer duds! She finished off the look with Saint Laurent gold snakeskin boots.
Season 2, Episode 16: Elie Tahari Blouse
This episode, costume designer Susie DeSanto and Connie Britton decided to go with dark hues for a still troubled Rayna, as evidenced by the black-and-gray leopard Elie Tahari top she wore while spending time with new beau Luke Wheeler (Will Chase). “She just lost her father and is essentially severing ties with her sister, so she’s kind of in that mode of coming to terms with everything. There’s just a lot of heaviness," says DeSanto.
Season 2, Episode 16: Dries van Noten Top
For her heart-to-heart with Scarlett (Clare Bowen), Britton's character Rayna wore a navy and black top by Dries van Noten. "It's the most magnificent shirt," says DeSanto. "The silk crepe is sheer and it has this amazing embroidery."
Season 2, Episode 15: Black-and-White Ensemble
For her meeting with powerhouse producer Howie V in Los Angeles, costume designer Susie DeSanto put Juliette (Hayden Panettiere) in a stylish black-and-white ensemble. “I liked the starkness of the black and white,” DeSanto says. “It’s a classic way to dress a business person, but the cuts that she wears give it an edgy silhouette. It’s very fashionable.”
Season 2, Episode 5: Zara Coat
Upon hearing that Rayna's (Connie Britton) father passed away, Juliette (Hayden Panettiere) headed back to Nashville for the funeral. For this scene, DeSanto outfitted Juliette in standout Zara coat. "It's nice when you can find stuff you can mix in that’s super affordable," she says. "It's super stylish and it looks great on her!"
Season 2, Episode 14: Isabel Marant Top
To celebrate her father's homecoming, DeSanto chose a light blue patterned Isabel Marant top for Rayna. "I chose that because I wanted her to look clear of heart," says DeSanto. "She’s really trying to make an effort with her father for her daughters, and the top showed a softness and vulnerability."
Season 2, Episode 14: Black Neiman Marcus Cashmere Sweater
For the moment that Rayna uncovered the truth about her father's past transgressions, DeSanto outfitted her in black sweater in order to reflect her mood. "We worked towards darkness almost as if a dark cloud came over her," DeSanto reveals.
Season 2, Episode 13: Temperley Top and Metallic Leather Jeans
"With this outfit you want the audience to believe that she’ll say the words that amp#91;studio headamp#93; Jeff wants her to say, and apologize to her fans for her behavior," DeSanto says. "The top made her look like she was dressing the part but the leather pants and the McQueen gold boots were totally fierce."
Season 2, Episode 13: Alexander McQueen Shirt and Haute Hippe Jacket
Season 2, Episode 12: Elizabeth and James Brocade jacket and L'Agence Leopard Top
“The party for the #1 song, "Ball and Chain," was shot in the basement of the Musician’s Hall of Fame and has all these instruments from super famous musicians on display, an awesome venue for the scene,” DeSanto explained. “But all the walls are black and dark so I chose the white jacket so Rayna looked like a shining star. That party was all about her taking center stage with all the people around her and deciding where Luke fits into that.”
Season 2, Episode 12: NSF Jean Jacket, Rag & Bone Shirt and Jeans
DeSanto had a blast tackling the challenge of creating Juliette’s incognito look for this episode, “one of the main things we discussed about if we were going to make this work, was how we were going to hide who Juliette Barnes really is, especially in Nashville. So the first thing we talked about was her hair, hiding all that blonde hair.” After choosing the brunette wig, next up was the outfit, “I got all that stuff at Barneys, the hat even, and Hayden loved it all! It was high end, but when we put the hat on in the makeup trailer we decided to cut the bangs on the wig, as it was another way to hide her. It may be my favorite costume of the whole year!” DeSanto said.
Season 2, Episode 12: Haute Hippie Top, Vintage Petticoat and Anthropologie Belt
“The opening of the episode makes the show visually so much more interesting so you stay more interested in it,” DeSanto shared about last night’s opening with Scarlett on stage. “Clare Bowen performed with Zac Brown Band a few times for this festival, so we helped her get ready for this one in Scarlett style with plenty of vintage things in her hair and bracelets.”
Season 2, Episode 11: American Rag Vintage Dress and Hazel coat
“I found that coat at Haven boutique outside of Franklin, TN and as soon as Clare saw it she loved it, it suits her, the shape is really great, an updated 40s print and style,” DeSanto shared of Scarlett’s look for her Kelly Clarkson audition with Gunnar. “I also love mixing the patterns, mixing the flowers and the plaid with the tights and the boots, it has a lot of texture and personality to it. We were into the confusion Scarlett was feeling, all this conflict going on as well, the outfit is a metaphor for that.”
Season 2, Episode 11: L.A.M.B Top
“We chose that blouse because Juliette’s kind of striking out and being herself and then all of a sudden it’s met with all these dire consequences. There’s going to be some damage done to her career with what she said being taken out of context. So she’s trying to do this play nice girl, be business, be proper and play by the rules,” DeSanto explained of Juliette’s press conference look.
Season 2, Episode 11: Dries Van Noten Silk Top, Helmut Lang Jacket
In this episode Rayna tackled big changes in her business and her family and DeSanto made sure her wardrobe reflected that tension and evolution of her character, “Rayna’s obviously doing damage control with her daughters to try and protect them of what may or may not be a threat to them through their father. Business and family are the center of this episode and compounded together to make this look.”
Season 2, Episode 10: Nue 19.04 Jacket and Haute Hippie Top
Last night’s episode found Rayna being a festival goer at her ex-husband’s new Nashville Music Festival and once again, she rocked the ultimate causal cool look. “As she’s not onstage and just being a country music star on a night off, I picked that jacket as it had a certain kind of armor to it, it’s fabulous but it’s not necessarily a performance piece,” DeSanto said. “This outfit was pretty high art as there was even the words ‘I will be free’ written all over her t-shirt as Rayna is taking an artistic stand against her label, so the shirt even works on that level!”
Season 2, Episode 10: Rebecca Taylor Dress and Peter Nappi Shoes
“We call it the Monet dress, there is a softness to it, but there is also a confusion too as there isn’t really a pattern, which parallels Scarlett’s life right now,” DeSanto explained of Scarlett’s dress. To finish the look she chose a pair of Peter Nappi shoes, a local Nashville brand, “ what a gorgeous store, handmade boots and belts, made here in Nashville and with a very limited run online—my team and I all have these in our personal closets, very unique, very individual and it was Clare’s idea to put the ribbons in instead of the laces!”
Season 2, Episode 10: James Perse Leather Jeans and Virgin Only Jeans Top
“I mainly chose this as it was a look of defiance, Juliette is saying ‘I’m not gonna play your game, I’m not gonna be under the thumb of the press and cater to the public,’ this is a recurring theme for her,” DeSanto said of Juliette’s onstage festival look.
Season 2, Episode 9: Helmut Lang Top, McGinn Leather Jacket and Goorin Bros. Hat
“This was one of those busy Rayna James’ day where she had a lot of things to do, she has to look appropriate when she goes to see her dad which is why we chose that blouse,” DeSanto explained of Rayna’s laid back day look.
Season 2, Episode 9: Yves Saint Laurent Leather Pants and Boots and Alexander McQueen Top
“This is about Juliette taking command of her stage so we wanted to do a really strong look—we are moving towards Juliette taking control so I just wanted something really kick-ass and different and very much not trying to please her fans and owning it as a woman,” DeSanto said of Juliette’s onstage look. “Hayden wanted to do really straight hair, a straight high pony, but then the hairdresser said what about this hair piece so we did a very exaggerated high pony, something really original and not like the usual Juliette.”
Season 2, Episode 9: Glam Vintage Soul Silk Dress
This episode found Scarlett (Clare Bowen) seeing her friends yet feeling alone and according to DeSanto this was evident in her look, “we chose this dress because of its movement, Clare Bowen wanted to have something she could move in—I like it in the scene because it’s a beautiful color and Clare can wear that color. It’s also an odd color, and it makes her stand out as she feels isolated from her friends.”